Monday, March 5, 2012

Interview with Julianna Baggott

When it comes to writing, there doesn’t seem to be anything Julianna Baggott hasn’t done.  There are over fifty foreign published editions of her books and over one hundred publications have carried her work.  Along with works under her real name, J.C. Baggott, she has penned multiple best sellers under Bridgette Asher and N.E. Bode.
So when she turns her eye to the post-apocalyptic Young Adult genre, with her first book of a trilogy, PURE, you know she is not going to just hit the mark, she is going to demolish the entire scoreboard.  Fox2000 thought so too and have purchased the rights to her trilogy even before the release of PURE.
In her own words on writing Baggott says: “I’m here because I’ve learned that writing – this twitch of my fingers – is really rooted deep inside of me. It’s a way of running your hands through the reeds, the silt – the kind of silt still clouding the day, the kind settled (like memory) waiting to be stirred.
It is with tremendous pleasure that An Adventure in Reading delves into the silt of J.C. Baggott’s mind. We recover answers on why the research for PURE was so difficult, with whom she would co-author a book if given the chance, and many more answers from a writer whose reviewers have worn out their superlatives in describing her talent.

Susan May (SM):     What were you doing when the idea for ‘Pure’ came to you?
Julianna Baggott (JB):        Maybe it came from desire, first. I was feeling restless. I wanted to do something really ambitious, cinematic, and large-scale. And, from that point on, there wasn’t any one glimmering resolute idea. There were 17 million tiny ideas. The notion of the doll-head fused to someone’s fist was something I played with in a failed short story. I suppose the realization that the girl with the doll-head fist belonged in THIS other world I desired to create was critical. Did it come in a flash? I don’t know. I wrote a riff from her perspective – hiding in an ash-choked cabinet – and read it to my daughter (now sixteen) and she told me it was the best thing I’d ever written. That was the start. I remember that moment – where I was sitting, where she was sitting. Yes. I won’t forget it.

(SM):   PURE contains dark scenes involving children, including their physical fusion with objects and people, during the blasts.  As a parent, how did you feel writing these scenes and characters?
(JB):    I have a hard time processing the real brutal world all around us. I had a hard time doing the research for this book that took me to the history of atomic bombs – Nagasaki and Hiroshima. Those bombs didn’t spare children. War and famine don’t spare children. And so children were part of the novel. They survived, and there they were, whether I’m a mother or not. But the characters in PURE called The Mothers – a band of violent warrior types — would not exist if I didn’t have children. I am the writer I am in large part because my kids mined my soul.
(SM):   At what point in the story did you realise it would become a trilogy?
(JB):    I always knew that it was a possibility. But the first draft was very hard and in later drafts the novel changed drastically. (There was another narrative point of view – a character who no longer exists at all in the book.) So, as much as I knew that there would be more, the bullying through of book one didn’t allow me to look too far beyond it. Once finished, the rest rushed in.
(SM):   PURE has been heralded as the next ‘Hunger Games’ and with film rights purchased it must be very exciting.  As you were writing the book, did you realise its potential to become the next big trilogy?
(JB):No. Not at all. My daughter loved the book. I mentioned the premise to my next door neighbours and they told me it was really compelling. My father was reading as I went, as was my husband. Everyone told me to keep at it. But it all felt very personal – as all of my books do before they become public, which is always a great shock.
(SM):   Your writing versatility is obvious in that your seventeen books range across many genres.  If you could co-author a book with any other author—alive or dead, who would they be?
Ha. Well, I do have one co-authored novel – WHICH BRINGS ME TO YOU – with Steve Almond. But, yes, in choosing to work with him, I had to stick to the “living” category. It’s hard, right? Because I’m drawn to some drinkers and depressives. Collaboration is much about the relationship, the sum not its parts. I’m going to choose someone living, though, and someone who’s done collaborative work before – a good bet. Neil Gaiman. I love his mind. I’ve heard him speak and he seems pretty down to earth. My husband met him and told him that my son wanted to punch him in the face, and he was lovely about that. (The link to that story is here: http://bridgetasher.blogspot.com/2010/11/why-my-husband-told-neil-gaiman-that-my.html ) I’d choose Gaiman. I’m sure of it.
(SM):   As an author, how have you adapted to the Digital age and what are your thoughts on it?
(JB):    I love the access to research. Things that would have taken days, weeks, years to track down, can pop up in .39 seconds.

(SM):   Is there an interview question you have not been asked?
(JB):    I assume the answer is infinite.

Thank you to J.C. Baggott for visiting us during her tour to promote "PURE".  We will be hearing much more from Julianna in the future and reviewing "FUSE", the second book of the trilogy which is due out in 2012.  We cannot wait to get our hands on an advance copy.

MORE INFORMATION ON JULIANNA BAGGOTT

Visit the "Pure" website for the first chapter of "Pure", loads of cool stuff and to learn more. Information on purchasing “Pure” is also there. I highly recommend you buy yourself a copy. You will want to read it more than once.
Visit author Julianna Baggott’s website and blog, with fabulously informative information for writers there. http://juliannabaggott.com/

Click here to purchase Pure

 

PURE by JC BAGGOTT ★ ★ ★ ★ ★

Read our interview with Julianna Baggott. Click here.

Imagination & author's talent makes for a PURE thrill ride













As the last pages of Pure loomed, the thought uppermost in my mind was, thank you Julianna Baggott for planning a trilogy.  Even then, two more books of this wonderful story will still leave us wanting more.  It is a window into an apocalyptic world, never before imagined in literature or film.
“We know you are here, our brothers and sisters.  We will, one day, emerge from the Dome to join you in peace.  For now, we watch from afar benevolently.” 
The premise of the book is in those words, delivered from the sky, via thousands of slips of paper, days after catastrophic explosions destroy America.  Survivors, outside of ‘The Dome’, like sixteen-year-old, Pressia, exist by bartering for food and living in the ruins of buildings.  Thanks to the nanotechnology bombs, these poor ‘wretches’ now face life fused with whatever they were nearest when the explosions occurred.  In Pressia’s case, along with horrific scars, a doll’s head is now embarrassingly her hand. 
The macabre fusions afflict all survivors.  Her Grandfather’s throat sports an embedded fan.  Bradwell, an ally, has bird wings fluttering in his back and the interesting El Capitan, sadly, carries the remnants of his brother on his back.
Inside ‘The Dome’, the inhabitants live a life of luxury with no scars or fusions marring their lives.  Partridge, a ‘Pure’—the name the outside inhabitants give Dome dwellers—decides to escape the Dome in search of his Mother.  Despite being wife to Ellery Willux, the Dome creator and its current dictator-like ruler, she didn’t make it inside before the blasts.
Convinced that after many years, his Mother is still alive, Partridge embarks on an odyssey in which he and Pressia cross paths.  Along the way, they gather surprising allies, including the most vicious school Mums you will meet.   
“Pure” burns along at a savage pace and the few passages where Baggott allows us to pause become voyeuristic windows into her extraordinarily imagined world.  Baggott not only paints a vivid world but also populates it with real characters that will haunt you long after the lines “The End of Book One".


MORE INFORMATION ON JULIANNA BAGGOTT

Visit the "Pure" website for the first chapter of "Pure", loads of cool stuff and to learn more. Information on purchasing “Pure” is also there. I highly recommend you buy yourself a copy. You will want to read it more than once.
Visit author Julianna Baggott’s website and blog, with fabulously informative information for writers there. http://juliannabaggott.com/


Click here to purchase Pure



Sunday, February 12, 2012

Mariam Kobras Interview - The Distant Shore




Read my review of the Distant Shore HERE
 

The Distant Shore is the first book for Mariam Kobras. Mariam describes the story as a contemporary romance with a light twist of suspense.

Born in Frankfurt Germany, she currently lives in Hamburg with her husband and two sons and to say she is excited about the launch of The Distant Shore is an understatement.

Mariam’s road to publication is an interesting one, having been discovered on Twitter by her publisher Buddhapuss. Read on to discover the inspiration for The Distant Shore, what genre she loves but wouldn’t dare attempt and her thoughts on the digital age of books.


INTERVIEW



Susan May (SM): What were you doing when the idea for ‘The Distant Shore’ came to you?

Mariam Kobras (MK): If I remember correctly, it was inspired by a song. I’m not going to tell you which one, though, because you might think the book is about that songwriter. Which it isn’t. To be honest, the scene in the hotel lobby where Jon and Naomi meet again after all that time was inspired by that song. The rest fell into place. Something like that.



(SM): What do you enjoy most about writing?

(MK): I love the writing, the shaping of scenes and situations, of scenery and people’s thoughts. Actually, writing is nothing more than describing things very, very well.



(SM): In what genre would you love to write but wouldn’t dare?

(MK): One word: SciFi. I love reading SciFi, I’d actually go so far and say it’s my favorite reading genre. But I don’t know enough about physics, astrophysics, the Universe, and all that to write it myself. But I’d love to.


(SM): If you could co-author a book with any other author—alive or dead, who would they be?

(MK): I’m thinking I’d really like to collaborate with my editor at Buddhapuss Ink some day. That would be amazing fun. And there’s still the idea of writing a book with Sam Hilliard, the author of The Last Track.


(SM): As an author, how have you adapted to the Digital age and what are your thoughts on it?

(MK): I take it you mean digital publishing, and not twitter and facebook and how they can help one get established as an author

To be honest, I’m totally in two minds about e-books. Margaret Atwood said at the Tools Of Change conference in NY that there are always three sides to each tool, an upside, a downside and a dumb side, which is the one you hurt yourself with. She made a rather passionate plea for paper books, and I tend to agree with her. From the author’s perspective, it’s a great thing to hold your book in your hands, feel the cover, read the words on paper. It’s also rather cool to sign it at book readings. I know they are working on making “digital signing” possible, but really. How would I sign on a kindle with my Montblanc Meisterstück, with my rose-scented, dark pink ink?

Margaret Atwood said, “When all technology fails, you can still read a paper book with the light of a candle.”

She also mentioned that a lot of people make their living by publishing books. Publishers, editors, cover designers, AUTHORS, book store owners, and so on. I don’t think every kind of progress is necessarily good progress. Do you remember the old version of the “Stepford Wives”, where the woman asks the men at that “club”, “Why do you do this?” and the reply was, “Because we can.”

It’s a bit like this. Destroying the paper book market is a bit like destroying a piece of culture. On the other hand, when I’m on a plane, I really do appreciate the handiness of an eReader. I just think there should be room for both.


(SM): Is there any character that has inspired you in life?

(MK): In my books? Or in someone else’s? In my books, I don’t know. I don’t think so. Not in other books either, no. Cetainly not inspired in the sense of, “They made me want to write.” I know the people in Peter F. Hamilton’s Reality Dysfunction made me want to be a space explorer, and see the things they saw. Well, not all of them, but some, for sure.


(SM): What has been the best part of having your first book published?

(MK): EVERYTHING! There is no specific best part. It’s just a long, lovely thrill ride, and I hope to be on it for a long time to come!



Thank you Mariam for taking the time to share your thoughts. We all look forward to your next book in the “Stone Trilogy.”


MARIAM’S BLOG HOP & THE PRIZES

This was the sixteenth and LAST stop on Mariam’s The Distant Shore “Love is in the Air” Blog Hop & Giveaway. We hope you enjoyed this and all the stops along the way.

Buddhapuss Ink is giving away copies of Mariam’s book, along with some pretty terrific (and very romantic) gifts, as we count down to that most romantic day of the year—Valentine’s Day!

Want to enter the giveaway? There’s still time! Entries will be accepted until 11:59 PM ET tonight – 2/13! Leave a comment for this post for one entry. We also encourage you to “Like” this blog and follow it! Tweet a link to this blog including the hashtag #TDSBlogHop for another chance to win.


Want more chances to win? CLICK HERE for all the info!




The Distant Short by Mariam Kobras



Read my interview with Mariam Kobras HERE



ROMANCE ON A HIGH NOTE

 
The world of fame and fortune is always a fascinating topic. What girl doesn’t love the idea of being whisked away from her life to trot around the world with a gorgeous famous singer loved by millions? And then who wouldn’t want to discover sixteen years later that said singer is still besotted with you even though you have run away from him carrying a secret.
Well the protagonist of The Distant Shore, Naomi is the one girl who chose to walk away from Jonathon Stone, famous singer, and he doesn’t know why.

The Distant Shore opens with Jon, now in his forties, but still confident and gorgeous as ever, receiving a letter from an unknown teenage son, born to Naomi the woman he has never forgotten.  He immediately sets out to meet his son and confront Naomi and beg her to take him back.  In all these years, he has never managed to understand her sudden departure.

When he sets out for an isolated fishing village in Norway, where she is managing a hotel, he is desperate to see Naomi again, as much as he fears her rejection of him. What follows is a tussle between two passionate people who are so afraid of losing love again that their fears may doom them to forever live apart. And it’s this tussle that provides the high romance and passion in the book.   There are also shadowy secrets Naomi is determined never to reveal to Jon that also haunt their rekindled love.
The Distant Shore is a window into the rock world and all the craziness therein.  Mariam has populated her book with characters and scenarios that test her two protagonist’s love for one another as they travel around the world in support of Jon’s career, at a cost they will only discover much later.  We all want to peek behind that showbiz curtain and this story is packed right up until the last page with dramas, steamy love scenes and even assassins.

If you enjoy your books romantic and filled with longing and angst, then grab yourself a coffee, and a box of chocolates and curl up in bed for the weekend with this book.

This is a debut novel for Mariam Kobras and there are two follow books in the trilogy to come.  So, there is no need to worry as you near the end of the book, the next installment will be released later in the year.

If you want to know more about Mariam, CLICK HERE to read my interview with her.

Read a sample of the “The Distant Shore” and learn more about its author at her publisher’s website, CLICK HERE

Purchase The Distant Shore online from Amazon

MARIAM’S BLOG HOP & THE PRIZES

 
This was the sixteenth and LAST stop on Mariam’s The Distant Shore “Love is in the Air” Blog Hop & Giveaway. We hope you enjoyed this and all the stops along the way.
Buddhapuss Ink is giving away copies of Mariam’s book, along with some pretty terrific (and very romantic) gifts, as we count down to that most romantic day of the year—Valentine’s Day!
Want to enter the giveaway? There’s still time! Entries will be accepted until 11:59 PM ET tonight – 2/13! Leave a comment for this post for one entry. We also encourage you to “Like” this blog and follow it! Tweet a link to this blog including the hashtag #TDSBlogHop for another chance to win.

Want more chances to win? CLICK HERE for all the info!


Monday, February 6, 2012

The Many Lives of Sarah Kernochan


CLICK HERE for my Review of JANE WAS HERE



An interview with Sarah Kernochan

When the almighty afterlife powers were handing out talents for this lifetime, Sarah Kernochan must have stood front row in many lines. She has enjoyed remarkable success over many decades in fiction, film and music. In her latest endeavor, JANE WAS HERE, a fascinating and gripping tale of reincarnation, she explores the dark side of karma and its impact on her character’s present lives.

Sarah scripted such films as the notorious "9 and ½ Weeks," "Sommersby," "Impromptu" (her personal favorite), "What Lies Beneath" (storyline), and "All I Wanna Do," which she also directed. Her two documentaries "Marjoe" and "Thoth" won Academy Awards 30 years apart. However, Sarah’s first ambition was always to write novels.

I am grateful and excited Sarah has taken the time to share insights into her life, writing and why she believes in karmic comeuppance.

Susan May (SM): Your biography reads like the heroine of a book. You were a musician in the seventies; friends with some of the biggest names in the music industry, like John Lennon and Harry Nilsson; you write a successful book, and then turn to writing Hollywood screenplays for thirty years, along with directing. Along the way, you win two Academy Awards for both your documentaries. Now, you have returned to novel writing. Was the transitioning planned?
Sarah Kernochan (SK): I didn’t set out to be professionally mercurial. I take my cues from my inspiration. Stories come to me in different forms – sometimes as films, sometimes songs, sometimes (most recently) as a novel. But forging a career out of any one of those forms is another matter. In that sense, my transitions weren’t planned—anything but. After my first Academy Award, the natural follow-up should have been directing another film. But it became plain I was not going to get that opportunity, Oscar or no Oscar. Except for Lina Wertmuller there were no women directors in 1973. Thus, I had to quickly switch paths: I became a singer-songwriter. Then when my second album didn’t sell well, RCA let me go and I had to switch yet again—to novels. I would have been happy to settle into a career as an author following the publication of my first book, which was a success. However I found myself stranded when my second book was cancelled by the new editor, and suddenly no one wanted me. I turned to screenwriting, where I had better luck and a much better income. So I stuck with that until I turned sixty. At that point, it became hard for me to find work. Older writers (particularly female) are weirdly dismissed as has-beens by the film business. Even though I’m still lucky enough to find script jobs, they are fewer and far between. So I have gone back to the novel. Now that JANE WAS HERE is published, it still remains to be seen whether I can succeed with books. I would love to settle into the life of an author, since my earliest ambition was to be a novelist, and obviously I got sidetracked along the way!

SM: Was the plot for “Jane Was Here” a light globe moment or did it haunt you for years?
SK: For years, I played with the idea of an ordinary woman who discovers she murdered someone— in a former lifetime. I never managed to figure out how to construct a plot around that premise, though I’m sure it can be done. The light bulb moment came when I realized the central character should be, not the murderer, but the murder victim, who is reborn into the present with the task of finding out who killed her in the past. The moment I received that notion, I started to write immediately – though at that point I had no idea where I was going.

SM: Most people have a fear of change, yet here you are embarking on a new adventure, and embracing the digital age with eBooks, twitter and blogs. Thirty years after your first book, have you approached the writing and promotion of this novel differently?
SK:Obviously the mechanics of writing have changed—when my first book was published we didn’t even have computers, and word processing had to be done in the brain! “Cut and paste” used to be an actual physical chore, and liquid white-out was the only way to change words. Or you had to retype everything. It was laborious enough to put you off revisions. You would do anything to avoid it, so you were more accepting of flawed writing. I think I became a better re-writer with the advent of writing software. Now it’s so easy to try words and phrases out for size before you commit to anything. You can be a perfectionist with little effort. As for eBooks and online marketing techniques, one constant in my life has been my craving to be in control of my own work, and not to be under the thumb of editors or movie producers or recording executives, as the case may be. There’s a tremendous democratization that’s taking place: power to the people is a very recent phenomenon both artistically and politically. The downside is that there’s chaos. Suddenly no one’s in charge and everyone wants to be heard. So how do you raise your literary voice above the crowd? Also, the social networking process is so time-consuming (though it’s fun) that you don’t have any time to write your books! All in all, I’m pretty ambivalent about the new lay of the land. It will be fascinating to see how it all shakes out. Then I’ll have to figure out how I fit in.

SM: After three years working on “Jane” part-time you mentioned you rewrote the whole thing—quite a task.
SK: In my first draft, my reincarnated heroine Jane remembered everything about her past life and her murder. She arrived in town to make people remember what happened there, and what part they played in her demise. It was horrible to get to the end of the writing only to discover that the book didn’t work. Thankfully, my agent suggested that maybe Jane shouldn’t have any memory at all of who she was, and suddenly it all became clear to me: that the audience could find out the truth at the same time Jane does, piece by piece. Suddenly I had a much tauter, tenser story. It was actually a pleasure to rewrite everything because I could tell I was on the right path this time.

SM: Did you have to adjust your writing technique for screen to novel writing to create“Jane” or was it quite natural for you to return to it?
SK: I was relieved to return to narrative prose. Screenwriting is very limiting in style, and I really wanted to stretch my limbs for a change and enjoy the language. My one worry was that I wouldn’t have a narrative “voice.” There’s no room for voice in scripts. It’s all nuts and bolts: Jane exits, Jane enters, close-up shot of Jane screaming. Fortunately, I found I did have a voice, one that was heaps more mature than my first book. It’s one of the miracles of aging that you actually do get wiser; and that wisdom works its way into your observations about life and people. I would say JANE WAS HERE benefited from the plot skills I developed from writing films. Also, because a script has to be read quickly, you are always trying to distill prose and dialogue to the minimum—and I think that lesson served me well, too, when I returned to narrative writing. I don’t indulge myself; even when there’s a passage or bit of dialogue I’m in love with. I don’t hesitate to cut it if it’s extraneous or slows the rhythm. In movies, you learn not to cling to anything you’ve written. You can’t: you’re an employee; you don’t own your own work. If you don’t change it, they’ll find someone else who will.

SM: You have said that you waited to get the one book idea that would seize you so hard that you had to write it, but that over the years, the ideas that sprang into your head were for films. Since so many books become films, what makes a story idea more suitable for film than a book?
SK: That’s a really interesting question. In many cases, writers want to work out the story in book form first, to explore the characters and work out the plot without the limitations of a screenplay. Then, if fortune is kind, the book will come to the attention of movie people who will purchase the rights. However, if you have an idea that’s good for either medium, and you can’t choose, then practical considerations come into play. Which project involves the least risk? For example: is it more likely that your story would be published as a book than it would sell as a script? Is the story more literary, different, cerebral, edgy, or slow? Chances are that movie types will not be interested until they’re persuaded by a book’s critical reception or readers’ embrace. You couldn’t sell a script of LIFE OF PI without it first having been a sensation as a book. Another factor in deciding between book or film could be your time and patience: do you want to spend three months writing a 100-page script, or a year or more of your life writing a 300-page book?

SM: You suggest there is justice in reincarnation: “that people, who profit from evil and receive no comeuppance, flourishing until their death, are then reborn into a life of suffering.” What makes you believe so strongly in reincarnation?
SK: Maybe it’s foolish but I have always believed that there is an overarching design to existence—that everything has meaning—just as every aspect of a novel originates from the writer’s intention. I suppose I want to believe that God is a writer, and not one word is without significance—that heaven imitates art (or vice versa). If I subscribe to the idea of reincarnation, then I can make sense of things that otherwise defy explanation, such as, “How could a loving Deity make innocent people suffer? Is God cruel, or just uninterested?” And I play with the idea that maybe certain people are not so innocent, that they are atoning for bad choices in previous lives.

SM: With ‘Jane Was Here’ receiving great reviews, are you now firmly reincarnated as a novelist or will you still write and direct films? And what is your next project?
SK: Film writing remains my day job because one needs money to survive. I enjoy writing scripts; it’s the business I’m tired of, after 30 years of peaks and valleys. It’s getting harder and harder to compete for jobs that I don’t really want to write. The projects are all someone else’s idea; they’re assignments. I have so many ideas for books that I would be ecstatic to bid goodbye to the movie business if I could have a remunerative career as a novelist. But that hasn’t happened just yet. My current project is, of necessity, a side project since I have an ongoing script job. I have been writing a true and highly personal ghost story in installments on my blog. People have suggested that this is, in fact, my next book. I guess that would make it a supernatural memoir.

SM: What interview question do you wish someone would ask you?
SK: I wish someone would ask why I am drawn to write characters with a lot of darkness on display. It’s a matter of personal perception of human beings that I see the dark in human beings more than the light—and, in the case of my characters, I can gradually move them toward the light in the course of the story. Perhaps it’s true too that I’m more forgiving of their flaws than the reader is prepared to be. In fact, I love them all, heroes and villains alike. Probably my first literary exposure to an unsympathetic central character was GONE WITH THE WIND—who doesn’t love Scarlett O’Hara? I adore Faulkner, too; his invented family, the Snopses, are the most sublime scum ever. Balzac is another favorite: his books are full of rapacious connivers, vain weaklings and pawns. It’s the divine comedy, what can I say.

Thank you to Sarah Kernochan for this fabulous interview. Learn more about Sarah at her website http://www.sarahkernochan.com/

JANE WAS HERE is available in Hard Cover and Digital Download at Amazon.

Jane Was Here by Sarah Kernochan ★ ★ ★ ★


A Haunting Fate

 
One of the most talked about books of the late seventies was “Audrey Rose” by Frank De Felitta.  A frightening tale of reincarnation, it not only sparked a movie adaption but also began an era of passionate discussion on reincarnation. 

For years after, I devoured books on reincarnation finding convincing supporting anecdotal evidence.  Even the actress Shirley MacLaine is adamant she has lived multiple lives—one, famously, as a lover of ancient emperor Charlemagne.

So when I first discovered Sarah Kernochan’s book, ‘Jane Was Here’, there was an immediate sense of Déjà vu.  All the memories of my pleasure and wonder when reading “Audrey Rose” flooded back.  A reincarnation novel, I thought—it’s been too long between past lives.

 In the first part of “Jane Was Here” we meet the strange mannered twenty-three year old Jane, knocking at an ungodly hour, on the door of Brett, claiming it to be her house.  Also mysteriously drawn to the town of Graynier, Brett is renting the home with his ten-year-old son, Colin.  Brett immediately overwhelmed by strong feelings of love for Jane, aids her in a determined search to discover her past life identity.  Colin, less enamoured than his Father and, guided by his superstitious friend Gita, believes Jane’s real purpose is evil.

Eighteenth century Jane Pettigrew tells her story, in part two, through a section of letters from herself to her lover.  These letters are a window into the innocence of this Jane, and they build dramatically to the ultimate question of the story: what happened to this Jane?

Amongst the present day townsfolk is another group of characters, all with their own dark stories whose paths, in a karmic twist, will eventually intercept Jane’s. The revelation of these character’s roles in Jane’s previous life brings the reader a satisfying ending that they will not see coming.

Sarah Kernochan is an Oscar winning screenwriter, and there is a spellbinding cinematic mood to this story.  You will close this book but find days later that the idea has seeped into your consciousness.  Kernochan’s poetic vision of reincarnation and fate will truly haunt you. 


Click through to learn more about Sarah & to purchase “Sara Was Here”

About the Author
Sarah is a writer of fiction, film, and music. She scripted such films as the notorious 9 and ½ Weeks, Sommersby, Impromptu (personal favorite), What Lies Beneath, and All I Wanna Do which she also directed.
Both her documentaries, Marjoe and Thoth, won Academy Awards. Sarah says, “attending the Oscars as a nominee in the documentary category is fairly humiliating as everyone ignores you.’’
Her first ambition was always to write novels. William Morrow published Dry Hustle in 1977. It had a healthy success and is now being reissued as an ebook. Sarah hopes people will at least download a sample on amazon. Fair warning: the book is really raunchy. She was anything but respectable in those days.
Her second novel, Jane Was Here, is something completely different. She has long believed in reincarnation, so she really enjoyed devising a mystery-suspense story that spanned 150 years, examining the karmic links between a woman's mysterious disappearance in 1853 and her reincarnated self in the present day.
Formerly an RCA recording artist, Sarah continues to write music, posting songs on her website and myspace. She lives in New York with her husband James Lapine.

To learn more about Sarah visit her website http://www.sarahkernochan.com/




Tuesday, January 10, 2012

An Interview with Toni Anderson

Author of 'Edge of Survival'


Toni Anderson is a former marine biologist who conducted her Ph.D. at the Gatty Marine Laboratory in St. Andrews, Fife, Scotland.  She was born and raised in the U.K., but now lives in the Canadian prairies with her husband and two children, living about as far from the ocean as possible.

She writes past paced adventure and suspense romance with strong female characters.   “Edge of Survival” her latest thriller was released in November, with one of the gutsiest, most intelligent heroines she’s ever written, Cameran Young (Cam), whose challenges are compounded by her diabetes.

Thank you to Toni for taking the time to satisfy our curiosity on what she enjoys about writing, what genre she wouldn’t dare attempt and her musings on wanderlust.

What were you doing when the idea for your new book “Edge of Survival” came to you and what did you think?
I don’t even remember what I was doing. I was probably in the shower or walking the dogs.  I do remember I was back in Scotland, my kids were tiny, and it was driech—a day when thick grey clouds are hanging heavily in the sky, but no rain so to speak. The story came to me in sections, and each section was a revelation. First, the opening scene and location. Then the hero with all his flaws. Next the heroine’s medical condition (I had a good sense of who she was but not why). The police investigation had to work with and contribute to the overall story arc. The last piece of the puzzle slotted into place with such—I hate to use the term ‘brilliance’ but as I had help from a friend I suppose I can call him brilliant.  Then I knew the story was ready to write.
What did I think?  *Grin* I hoped I could do justice to the idea and that other people would like it as much as I did.
What do you enjoy most about writing?
I like the solitude. I like the fact that when I write I’m no longer a mother and a wife and a daughter and a sister. I love being able to pursue my passion and get the voices out of my head. I love untangling a web of thoughts and creating an actual story that makes sense (hopefully). I love the rush when it all goes well.
I suspect I also love the hair-pulling days when the whole book sucks. I love connecting with people who ‘get’ what it is to be a writer and those who enjoy reading my books.  Is there a bigger thrill than that?
What genre would you love to write in but you don’t dare?  And why?
I have an idea for a YA but I don’t think it’s like any YA I’ve seen in today’s market. The story is a little controversial in terms of politics so I haven’t done more than let the idea bounce around my skull. It isn’t paranormal. It is very British. I’m not convinced I have the writing chops to pull it off. Maybe one day.
If you could co-author a book with any other author—alive or dead, who would they be and why?
That’s a difficult question because I have so many favourite authors in many different genres. If I had to choose one it would probably be Nora Roberts. I love the fact she writes such a diverse array of storylines and isn’t stuck in a restrictive box of say just police procedurals or serial killers. Plus, she has such a phenomenal fan-base, LOL. I admire her work ethic. I don’t know any other author who is as productive as she is. Even if I had to forgo sleep for a month I’d be thrilled to work with Nora.
How have you, as an author, adapted to the Digital age?
All my publishers have been digital-first publishers so I haven’t had to adapt at all. I love books in any form. It’s a time of great change in publishing (more change is needed). What I find bemusing is that many readers think that if they embrace digital it means they lose print. I don’t believe that’s the case. I love both formats and read both formats. They are not mutually exclusive.
What question have you not been asked in an interview, that you wished you had?  
Where am I from?
I come from a small town called Broseley in rural Shropshire, England. As a kid I always wanted to get away and explore the world. But now I’m older, and far, far from home, I miss it. It makes me think about what it must have been like a century ago when people travelled halfway around the world. They rarely returned and it must have been heartbreaking at times. Some people are born with wanderlust, but it doesn’t mean they don’t miss their family and hometown.

You can find more on Toni Anderson at  http://tonianderson.blogspot.com/

Edge of Survival is now available from Carina Press, Amazon.com. Amazon.co.uk and Barnes & Noble.

This interview published in January 2012 issue of Suspense Magazine